konfrontacje teatralne

konfrontacje teatralne

The Wedding. Witold Gombrowicz

– The performances of the Theatre are best characterised by the absurdity of the world in which our quest for the Absolute is reflected in empty rituals or in negation of all norms.

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The Cherry Orchard

The Lublin version of the “Cherry Orchard” is first of all about passing of time

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The Beautiful Lucinda

In this unpretentious comedy time planes interpenetrate continuously – Hemar imposed on Bielawski’s comedy (The Intruders) a double theatre parenthesis, making use of a construction scheme of the play, as well as the circumstances of its production.

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Macbeth

“Macbeth” directed by Leszek Mądzik is the second adaptation of this famous play by William Shakespeare in the history of Lublin theatre.

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Sarmatia

The Polish Republic (Rzeczpospolita) is declining, there is a danger of partitions, the corrupted Seym leads the country to ruin.

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Dirk Dobbrow – Legoland

The protagonists of „Legoland” are young people, but already emotionally handicapped.

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Love in the Crimea

Love in Crimea by Slawomir Mrozek is a story about powerful Russia which changes under the influence of historical events and human feelings which in spite of passing time maintain their grandness and truthfulness.

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Stanisław Wyspiański – The Judges

The Judges by Wyspiański, like Anathema and The Wedding originated from a small note in a newspaper, a sensational rumour, and acquired a status of ancient tragedy, featuring man who struggles with his Fate.

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Operetter

Grzegorz Józefczuk wrote about this production: „Krzysztof Babicki tells us about the madness of the world and history using the madness of forms which only theatre allows.

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Europa? Microdramas

Writers are not prophets, but sometimes they see a little bit more and clearer. “How has Europe changed in the last decade? Is it possible to present these changes by theatrical means?

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